The Indian Guitar Archives
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Volume 3 - August 2025

The Metalhead of Manipur.

Featuring Kabung Gondaimei's journey from a small village to metal, plus a luthier feature on Mezraab Guitars & Pickups, a band spotlight on The Levites, and a gear review of the Yamaha Magicstomp.

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TIGA Vol. 3 cover - Kabung Gondaimei
About the Author

A note from the founder

This issue of The Indian Guitar Archives celebrates passion, innovation, and identity through music. From the remote hills of Manipur to the urban stages of Chennai, this edition brings together stories that are both deeply personal and universally inspiring.

Kabung Gondaimei reminds us that no dream is too distant, while Abraar of Mezraab Guitars shows how craftsmanship is as much about intention as it is about skill. We are also proud to present Levites, a band whose music is driven by emotion and faith, and we revisit the tones of Allan Holdsworth through the Yamaha Magicstomp. Whether you are a player, a builder, or a listener, this issue is a tribute to everyone who believes in the power of the guitar to speak when words fall short.

Dr. B. Sai Kiran Kumar
Founder, TIGA
Luthier Feature

Mezraab Guitars & Pickups

Luthier Abraar on passion, precision, and design

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Abraar of Mezraab Guitars & Pickups with a custom build

How It All Began

"I have been a Guitarist and a Guitar Tech for many years. I have played, owned and worked on several high-end guitars. Whilst all of them were great and excelled at one thing, they were very ordinary or below par at another. So, I decided to put all my experience of playing and working on Guitars to design and build one that could be versatile, reliable, and easy enough to play, that just that one Guitar would be enough for most Studio and Live Gig requirements."

The Karax

"The Mezraab Karax is the first one that I designed from a clean slate and put together from the ground up. I aimed to create an instrument that was tonally and electronically versatile, extremely stable and reliable, and above all, effortless to play. With the Karax Prototype, I chose an American white Ash body, a thick Rosewood Top, a Wenge Neck and an Ebony Fingerboard. Overall this combination adds great punch in the mids and wonderful clarity and note separation in the top end."

Q&A with Abraar

What does making guitars mean to you?

"Every guitar that I build or work on becomes an expression of mine, an extension of myself and my creative thought process. In a way, a piece of me."

What is the most difficult part about guitar making?

"Many Players believe more in the high-end instruments of Big Brands than they do in Independent Builders. Secondly, the successful marriage between the Wood, Hardware, Pickups and Electronics to produce that 'Mojo' is a far more difficult job than one would believe."

What is your favorite guitar you've ever made and why?

"The Mezraab Karax is my favorite guitar. Besides being so versatile, reliable, and gorgeous looking, it also has a certain personality to it. For guitar players, an instrument that has its own personality brings more purpose and joy to what you play on it."

What advice would you give to someone who wants to become a luthier?

"Start making something, don't be afraid to fail. Become an apprentice with a good Luthier for 2 years, it will save you many years of trial and error."

Connect with Abraar → @guitar_matters
Band Feature

The Levites

Carving soundscapes of faith and fire

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The Levites performing live on stage

From Classrooms to Concerts

In the sunlit corridors of Madras Christian College, where creativity thrived between lectures and late-night jam sessions, a group of friends stumbled into something more than music. Over time, those casual sessions began to take shape - real songs started to emerge, and with them, stories that felt honest and powerful. And so, the band Levites was born.

Their songs blend modern progressive rock with large soundscapes and vulnerable, heartfelt lyrics. "We're just trying to process life and faith through sound," they share.

The Meaning Behind the Name

In ancient scripture, the Levites were a tribe set apart for worship. For the band, this wasn't just a cool reference - it was a mission statement. "Our music is an expression of faith," they explain. "It's our way of pointing back to something or someone greater than ourselves. It keeps us grounded."

The Story Behind "I'm Home"

Their latest single, I'm Home, is a deeply personal piece. It speaks to the journey of losing oneself in life's noise and rediscovering who you truly are - returning to faith and to your own sense of purpose. "It's about finding your way back," they say. "To where you belong."

What a Live Show Feels Like

A typical Levites performance is more than a show - it's a shared experience. Loud, raw, and deeply emotional, they want audiences to not just listen, but feel with them. "We want every gig to be a moment people carry with them," they say.

Looking Ahead

There is plenty more on the horizon for Levites - a series of new singles are lined up, and an EP is in the works. They are also working on a few exciting collaborations, though they're keeping those details under wraps for now.

Connect with The Levites → @thelevites_
Gear Review

The Yamaha Magicstomp

Holdsworth's Haven of Tone

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Yamaha Magicstomp guitar effects processor

In the pantheon of legendary guitarists, Allan Holdsworth occupies a space uniquely his own. Renowned for his futuristic chord voicings, unearthly legato phrasing, and pioneering tonal explorations, Holdsworth was more than just a guitar player - he was an architect of sound. One of the most essential tools in crafting his otherworldly tone was the humble yet powerful Yamaha Magicstomp, affectionately referred to by fans and players as "Holdsworth's Haven."

Why Holdsworth Chose the Magicstomp

Holdsworth was famously meticulous about his gear, constantly searching for clarity, warmth, and a three-dimensional spatial quality that complemented his complex harmonic language. "It's the only thing that gave me the sound I was hearing in my head," Holdsworth once said. He often ran the Magicstomp in parallel loops or after the preamp stage to maintain tonal purity while adding depth and atmosphere.

The Heart of the Sound: Smooth Delay

The "Smooth Delay" patch on the Magicstomp was far from your average digital delay. It offered lush diffusion, subtle pitch modulation, and a soft decay curve - ideal for creating the ambient, violin-like sustain trails that defined Holdsworth's tone.

A Modern Legacy

Although the Magicstomp is no longer in production, it retains a dedicated cult following. Used units often fetch high prices on the secondhand market, and online forums continue to share patches, editor software tips, and revival methods for modern computer compatibility. The Magicstomp is not just an effects processor - it is a creative tool that enables the sculpting of expansive sonic landscapes with character and nuance.

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